基本释义:

英美民间音乐导论

网络释义

1)Introduction to Anglo-American Folkmusic,英美民间音乐导论

2)On the Beauty of Music,论音乐美

3)Survey On Chinese Traditional Music,《民族民间音乐概论》

4)folk music,民间音乐

5)STADY ON THE FOLK MUSIC OF DONG NATIONALITY,侗族民间音乐论要

6)folk musician,民间音乐家

用法和例句

Review on Liu Zhengweu s Survey On Chinese Traditional Music;

中国民间音乐研究的新视角——评刘正维著《民族民间音乐概论》

Professor Yang Yin-liu and the investigations on folk music conducted by researmusic,Chinese Academy of Arts;

风起田野——杨荫浏与中国艺术研究院音乐研究所的民间音乐考察

To Construct a Long Gallery of the National Music Culture——On the secondary protection of the folk music culture;

修筑民族音乐文化的长廊——论民族民间音乐文化的二级保护

compared with that in the20 century the folk music census in the view of Intangible Cultural Heritage has a lot of new traits,including the investigating aim,principles,data preservation,method,scope,management of findings and so on.

"非遗"视野下展开的民间音乐普查工作与20世纪相比,呈现出许多新的特点,即在调查目的、调查原则、调查资料的保存、调查方法、调查范围、调查成果的管理等方面均表现出新的特征。

A bing, an outstanding folk musician, had a life full of frustrations.

我国杰出的民间音乐家阿炳一生坎坷 ,虽遭生活磨难和种种打击 ,受尽辛酸凌辱 ,但他性格倔强 ,人残志坚 ,视音乐为生命 ,广采博收民间音乐 ,创作了许多具有浓郁民族风格和永久艺术魅力的乐曲。

The folk music was the cornerstone of traditional music, therefore, all of the folk musicians made a huge contribution to the traditional musical culture.

民间音乐是传统音乐的基石,民间音乐家对传统音乐文化贡献巨大。

The Purity of Music--Reflection on Music Essence;

论音乐美的纯粹性——对音乐本质的思考之三

Practical Significance of Music Aesthetics for the Practice of Music Performance

论音乐美学对音乐表演实践的现实意义

Discussing on Centering on Aesthetics of Music Education;

试论音乐教育要“以音乐审美为核心”

Viewing Huang Zi s Music Composition and Aesthetic Ldeology in a Historical Perspective;

论黄自的音乐创作及其音乐美学思想

No musical image in the Process of Music Taste;

论音乐审美感受中的“非音乐”表象

On the Influence of Ideological Trends in Music on Composition and Aesthetics;

论音乐思潮对音乐创作和审美的影响

Music Aesthetic Ideas in Sound without Dirge;

《声无哀乐论》音乐美学思想研究述评

On Universal Human Values of Music Aesthetics in Yue Ji(Records of Music);

论《乐记》音乐美学的人类普遍价值

On The Beauty of Tujia Music Music types, Dissemination and the Artistic Beauty of Thread Abstract;

论土家族音乐之美──乐种、传播、线的艺术

On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics

从《声无哀乐论》看嵇康的音乐美学思想

Simply on Laozi s Music Aesthetic View in his Words The Extremely Loud Sound Can Not be Heard ;

略论老子“大音希声”的音乐审美观

" He (Harmony)" and "De (Virtue)" in Music--on ideas of music esthetics of China and the West in ancient times;

音乐中的"和"与"德"——论中西古代的音乐美学思想

From Esthetic Viewpoint to Discuss the Historic Continuity and Inconstancy of Music;

从音乐审美功能论音乐的历史延续性和易变性

Discuss on the Form and Content of Musical Art from the Angle of Musical Aesthetics;

从音乐美学角度论音乐艺术的形式与内容

Discussion on the Relation of Music Basic Knowledge Study and Music Aesthetic Education;

论音乐基础知识学习与音乐审美教育的关系

On the Expression of JI Kang′s Music Aesthetic Subject Ideas in “Sounds Without Sorrows” Theories;

论稽康音乐审美主体观在《声无哀乐论》中的体现

Research of the Aesthetic Relationship of Music Art--An Aesthetic Look into the Musical View in Huai Nan Zi;

音乐艺术审美关系初探——兼论《淮南子》中的音乐审美观念

Accepting Differences among Music Aesthetic Subjects--And about Music Aesthetical Thoughts of Huainanzi;

音乐审美中主体的接受差异——兼论《淮南子》中的音乐美学思想